Wiener-Dog
Amazon Studios, IFC Films
If you haven’t seen anything by Todd Solondz, you have been missing out. Seriously, you have not lived until you have seen the absolutely pitch black comedies that he has directed. Classics such as “Happiness” and “Welcome to the Dollhouse” have been among my favorites for years, and no these are not films concerning happy people, or the fantasies invoked by the image of a child’s toy. Todd Solondz captures a spark of the American consciousness that is both upsetting and completely ridiculous. You hope that these people are not real, that these situations do not impact the daily lives of anyone you truly love and cherish, but they absolutely do.
Solondz has been making movies for twenty years but none of them have been as immensely loved as the two I just mentioned. This particular film premiered at Sundance in January and was bought up by IFC and Amazon Studios for VOD release in April. This low key release hasn’t lent to great word of mouth, but then again what are you going to say about this film that would make someone willingly watch it? Do you talk about the section where Danny DeVito plays a defeated and morose screenwriting professor? The first section that shows the acquisition of the wiener dog and its subsequent sickness via the ingestion of chocolate? (And all the mess that entails) What you should tell people is that it’s atmospheric, moody, and self-assured in its stark representations of down and out losers.
Solondz films don’t show winners. They show people who deserve far worse than they’re getting, or people who are so devastatingly wrong in every aspect of their lives that it’s embarrassing to watch them just live them. The characters he chose for this film are each unique in a very different way. Julie Delpy’s soft spoken mother consistency tries to break bad news to her child about the facts of life by overtly lying to his face. Terrible, inscrutable words form on her lips and flow out of her in a delivery style that is so blunt that it physically hurts.
Honestly, if you like weird, this is going to be your favorite film of the year. While it doesn’t exaggerate its mood with grand effects or strange settings, it’s a film that tells the little person’s tale. Grandmothers sometimes don’t connect with their offspring. Parents sometimes can’t trust their children. Making a spontaneous decision can change big aspects of your life. These are the themes that Solondz focuses on to great effect, and though these are small spaces, they produce a grand film.
