Selma
Courtesy of Paramount Pictures, Plan B Entertainment, Cloud Eight Films, Harpo Films, Pathe
It’s downright depressing to realize that a biopic set fifty some years ago is just as relevant today. Amidst one of our greatest racial upheavals in American history “Selma” tells of a similar fight waged by Dr. King and his supporters in Selma, Alabama, in 1964. Presented with all the depressing truths of a complicated figure in the throes of a revolution, this film relies on a grave performance from David Oyelowo, and a superb and varied supporting cast made up of subtle and yet emotionally devastating performances.
As a white woman my opinion is valid, and yet flawed. I do not possess the insight, or the experience, to understand what black Americans have lived through, and what makes up their current fight. Every American should watch this film and feel at least partially outraged by the violence, the injustice, and the racial disparity presented onscreen. It is the same vindictive injustice that has been prevalent in even today’s society. Honestly, I cried many times throughout the film, especially when people were maimed or killed for expressing their beliefs. The film achieves this effect not through melodrama or over-the-top narration, but through artful editing, a mournful soundtrack, heart wrenching performances, and unbelievably gorgeous and yet horrific cinematography. The shots achieved (especially on the bridge) will stir your insides into mush.
As for the controversy surrounding “Selma’s” lack of nominations, it is disheartening, especially when looking at the very white set of nominees at this year’s awards. Ava DuVernay rightfully deserved a Best Director nod, as did David Oyelowo for Best Actor. The film was late out with its screeners to members of the Academy, so it was very difficult for many to see it before voting, which is at least understandable. It’s just very strange that a powerhouse like “Selma” only walked away with one Oscar win, when you have such a forced nomination like Meryl Streep’s for “Into the Woods.” You would have thought, with the Academy’s record of favoritism, they would have made concessions for a film that has more to do with present issues than any other that emerged this year. Not nominating “Selma” for countless awards will be seen as a huge faux pas in the future and a detriment to the Academy, who already have a history of missing the boat on cultural, political, and racial issues.
King isn’t always seen as an invincible figure who utilizes of peace and understanding. Dr. King is shown to be quite angry at many junctures, but frightened for the safety of his family. He is flawed, as he commits infidelity, waivers on the front lines, and wrestles with political pundits like LBJ and the court system itself. This complex portrait adds to his depiction, and furthers the story by tapering the melodrama and telling a real, unimpeachable story.
For its worth “Selma” may not say anything new about racial injustice, but it tells this story in a worthwhile way. Lacking the usual over-the-top qualities of Oscar bait, “Selma” is revolutionary in that it is pure art as well as protest.
